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Still Life with Sheep's Head (mk05)
Painting ID:: 20782
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Francisco de Goya
Still Life with Sheep's Head (mk05)
Wood 17 1/2 x 24 1/2''(45 x 62 cm)Entered the Louvre in 1937 R.F 1937-120 (G/AR)
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Portrait of Dona Isabel de Porcel (mk08)
Painting ID:: 21839
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Francisco de Goya
Portrait of Dona Isabel de Porcel (mk08)
1805
Oil on canvas
82x54.6cm
London,National Gallery
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The Colossus (mk19)
Painting ID:: 22261
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Francisco de Goya
The Colossus (mk19)
1802-1812
Oil on canvas,116 x 105 cm
Museo del Prado,Madrid
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Exeution of the Rebels of 3 May 1808
Painting ID:: 25932
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Francisco de Goya
Exeution of the Rebels of 3 May 1808
1814
Oil on canvas
265x345cm
Madrid,Museo Nacional del Prado
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El Gigante (mk45)
Painting ID:: 25935
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Francisco de Goya
El Gigante (mk45)
c.1808/09
Oil on canvas
116x105cm
Madrid,Museo Nacional del Prado
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Francisco de Goya
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Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty. |
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